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Hardy adopted the role of the self-assured but utterly incompetent leader, whose grandiose gestures gave exaggerated importance to the simplest acts.Īccording to critic Gerald Mast, a “contempt for affectation and pretension” is a hallmark of the work of American comedians from Chaplin to Woody Allen. The duo’s usual costumes were slightly seedy, old-fashioned suits with stand-up collars and derbies, suggesting characters who aspire to a dignity that they can never quite achieve. As childlike adults destined to fail but ever hopeful of success, these characters fall within a “tradition of innocent fools in a dangerous world” that includes, according to film scholar Ted Sennett, the characters played by fellow silent comedians Charlie Chaplin, Buster Keaton, and Harry Langdon. In their subsequent films Laurel and Hardy gradually developed the characters they would play for the rest of their lives. The first, The Second Hundred Years, appeared in 1927.
St laurel and hardy movies series#
Together Laurel and Hardy were so appealing that the studio launched a new series of short comedies advertised as “Laurel and Hardy” films.
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At the time he was teamed with Hardy, Laurel was an up-and-coming film comedian, writer, and director. Born Arthur Stanley Jefferson, Laurel was an English music-hall comedian who had come to America in a theatrical company as an understudy to Charlie Chaplin. The studio soon cast Hardy in several films with Stanley Laurel (1890-1965), with whom Hardy had occasionally worked before. In 1926, after appearing in some ninety Hollywood films, Hardy became a contract player for both comic and serious roles with Hal Roach Studios, one of the more important small studios of the era.